Sunday, 31 January 2010

Communication responsables...


I was in Brussels this week, for a pitch on sustainable transport, EU partnerships and the need to hammer down carbon emissions in the public transport sector. We should be in with a shout: the project is communications support for a number of partner cities (including Manchester) and our consortium was made up of a unique network of agencies specialising in sustainable or green communications.

There's always a chance that some monolithic, multinational, boring, über-agency will stomp in and promise the world, but our network of creative, smaller agencies with a strong record on transport and the environment, has to be a winner.

Other than the chance of winning the project, the collaboration has been really useful for swapping notes with other people who 'do what we do' in other countries. Here in the UK, I would only really cite Futerra as a fellow traveller of ours, so it's brilliant to discover like minds in Europe. The two other agencies at the pitch were Yuluka in Brussels (who brilliantly pulled together the partnership) and Sidièse in Paris. Both fab, both with ideas and approaches to share.

We're thinking about formalising our network into something more high profile, structured around the notion of 'communication responsables', a French-born approach to sustainable communications which I'm busy learning about and which it would do no harm to bring to a wider audience in the UK. Core principles include transparency and honesty; it also appears to be a direct attempt to block ever higher levels of greenwash on the part of major corporates. More anon.


Tuesday, 19 January 2010

Covering up for the Whitworth




The new wallpaper exhibition at the Whitworth - Walls Are Talking - launches in February and our team at Creative Concern have been hard at work designing the promo campaign for the show, which we’re really proud of.

Walls Are Talking is the first exhibition of its kind in the UK, featuring wallpapers by more than 30 internationally known artists including Andy Warhol, Damien Hirst and Niki de St. Phalle. Already well known for its wallpaper collection, the Whitworth is pulling together a genuinely challenging show and we knew that the campaign to promote it had to be every bit as edgy.

We worked with the City’s Creative Director, Peter Saville and photographer Graeme Cooper to produce the artwork, which directly responds to some of the core themes that the exhibition explores: subversion, sexuality and imprisonment.


The image (see above) features a portrait shown from below the eyes. It is an anonymous face with the mouth torn away revealing a layer of wallpaper. We wanted to capture the concept of the exhibition which is the idea of something passive taking over; ‘if only the walls could talk’.

Wallpaper was on my mind over Christmas actually, when I listened again to Stephen Fry’s ‘blessay’ on aesthetics and Oscar Wilde. In the podcast he recounts the time when Wilde was asked his view of the United States, famously responding that the reason that the US was such a violent, brutal place was because its wallpaper was so ugly.

As Stephen Fry then draws out, this is typical wildean flippancy at first hearing but actually stems from a deep belief in aesthetics and, critically, in the aesthetics of the everyday. It is the notion that if we care about design and quality and beauty then it will lift the spirits, enrich the human condition, make the world a better place.

Which is one reason why I’ll be just as focused on the Whitworth’s huge collection of ‘everyday’ wallpapers spanning several centuries, as well as the pieces submitted by the big name artists. Good design, and beauty, is something we should encounter from the moment we wake until the moment we finally stop Twittering and nod off to sleep.

And everyday aesthetics - finally - takes me back to one of my great Whitworth moments. The gallery has always been one of my favourites spaces, for over 20 years now. When I was a student I was there often, and one day a huge school group arrived to fill in work sheets, make some drawings and chatter their way through the galleries. As they emerged into the space, confronted by the rich collection of work, one of the children looked down, not up, and belted out the most lovely refrain: “What a beautiful floor!”
_

Walls Are Talking opens on February 6 and runs until May 3 and is collaboration with the V&A Museum. It includes specially commissioned work from artists Michael Craig-Martin and Catherine Bertola.

Monday, 18 January 2010

Green apples...



Now I know that Mac Addicts the world over are ridiculed for the glazed, starry-eyed look that comes over them whenever their computers-of-choice are talked about, mentioned or featured in a Hollywood flick... we can see no bad in the cult led by Jobs. All is good in the land of Apple.

But even more than usual, I am currently a very, very happy Apple user. In the last few years, in spite of GORGEOUS machines coming out, and an ever-better operating system and the market-changing iPhone (swoon), Apple had a problem - it kept tanking in the environmental stakes. It repeatedly scored low in comparative reports between different manufacturers and so as a result became a target for campaigners; green Mac users like me kept our heads down.

Now we can take heart as Apple has topped a green computer league table published by Greenpeace. Due to innovations like the removal of PVC from cables, or that clever unibody that encases the laptop I'm typing into, Apple has emerged at the head of the league. Bloody lovely stuff.

Thursday, 14 January 2010

Love your bike... just don't take a tram




Here's a good quote for a dark and frosty winter's day, it's from Arthur Conan Doyle:

“When the spirits are low, when the day appears dark, when work becomes monotonous, when hope hardly seems worth having, just mount a bicycle and go out for a spin down the road, without thought on anything but the ride you are taking.”

Lovely... but just don't try and get on a tram when those legs get a little tired, as it looks like Greater Manchester is about to vote to continue its ban on tram-borne bikes.

It pains me to say it, but when it comes to bikes on the metro, London can do it. In fact a host of other cities can manage it. Here's just a snapshot of light rail or tram services around the world that let cyclists on board:


Vienna
Sydney Light Rail
Brussels
British Colombia SkyLink
Calgary Transit
Prague
Copenhagen Metr
Lille – Transpole
Berlin BVG
Bielefeld moBiel
Frankfurt VGF
Hannover USTRA
Munchen MVV
Nurnberg VGN
Stuttgart SSB -
Amsterdam GVB
Rotterdam RET
Charlotte LYNX
Dallas Area Rapid Transit
Denver RTD
Miami Dade County Transit
Minneapolis MetroTransit
Phoenix Valley Metro
Portland Trimet
St Louis Metro

So there you go; not impossible; which was actually the conclusion of the Greater Manchester Authorities in 2002 when they “unanimously agreed to the principle of allowing bikes on trams during non-peak hours”.

Understandably, our friends at the Friends of the Earth-run Love Your Bike campaign are not best pleased. They think that allowing bicycles to travel on off-peak trams would encourage more people to combine tram and cycle journeys for commuting, shopping and leisure, and be an effective way to reduce carbon emissions. This argument is given greater power once they point out that Greater Manchester's own transport strategy suggests that between 2 and 5 miles is a perfect cycling distance, and that around 90% of the Greater Manchester population will soon be within a 2.5 mile cycle ride of a tram (when the hugely welcome new Metrolink services are completed).

The vote on this takes place tomorrow and Love Your Bike is calling on anyone who can to urge the GMITA committee members to honour the pledge made in 2002 and vote to allow cycle carriage on off-peak cycle trams. If you fancy adding your voice, click here to send them an email.

Thursday, 7 January 2010

Frost-coated windows


P1032452, originally uploaded by shrinkingworld.

Loved this frost formation on a garage window this morning.

Tuesday, 22 December 2009

Shrinking cities versus sustainable cities


A good meeting yesterday with Diana Balmori and her colleague Monica. We talked about a couple of projects that we're pitching on together and about the work we'd done at Creative Concern on place branding and creating a sense of place by working with communities, specifically the Real Lives campaign in Wythenshawe.


After that we talked on the related topic of the 'shrinking cities' concept that gets peddled around by planning academics (particularly a group led by Phillip Oswalt in Germany, who decided to label Manchester as one of their so-called Shrinking Cities). It strikes me that whilst, historically, cities may well have come and go, with the twin-tracks of intense urbanisation and resource depletion/climate change, we cannot entertain the idea of shrinkage - or even the death of cities - any more. We have to follow a course like Manchester's, and respond to industrial change through innovation and renewal... that's why the original modern city isn't shrinking any more.


After our chat I wandered along the High Line. Bloody amazing and inspirational. Photos here.

Tuesday, 15 December 2009

Breakfast Club at the Urban Design Institute


Had a fab time this morning speaking to a breakfast session at the Urban Design Institute in NYC. The session was held at the Center for Architecture and the other presenters were Jake Barton (Local Projects), Jorge Colombo (artist) and Katie Dixon (Downtown Brooklyn Partnership).


With a good sized group of urbanists, architects and designers we discussed communication and urban design, and how the new accessibility of information is changing the way we experience our cities... we also had a good old poke at consumerism and bad branding... or at least I did.

My fellow presenters were fascinating. Jorge's work for the New Yorker, painting with an iPhone, was beautiful and insightful; Jake's work with interactive installations was utterly brilliant and I totally plan to collaborate with his group if I can; and Kate's work in Brooklyn is so close to some of our work, it was brilliant to make a connection.

Fab to be in the Center for Architecture, too - very much in the vein of our own, fabulous CUBE in Manchester.


Friday, 11 December 2009

Online with Tony Murray


We've never had the easiest of relationships with How-Do, in all honesty, so it was with some trepidation that I agreed to do an interview with Tony Murray today, and gave him an opportunity to 'let rip' on subjects such as climate change or place branding that usually set the comment boards alight. Tony agreed that my replies wouldn't be edited, so I was happy to go ahead with it, and I hope the resulting interview will make it a bit clearer for How-Doers where we sit in the Pantheon of Northern Communicators.

Tuesday, 8 December 2009

Manchester. A Certain Future.


Tonight we officially launched Manchester's new climate change action plan with the help of Ed Miliband, shortly before he disappeared off to Copenhagen.

Creative Concern worked with M Four and Manchester City Council on drafting the plan, editing the final text and we also built the plan's website.

We're very proud of the plan but even more proud of our city for signing up to some bold targets including the headline target of a 42% cut in CO2 emissions before 2020. Bold stuff, and as we wrote in the plan, if the world's first and definitive industrial city can get to grips with climate change then no city, anywhere else in the world, has any excuse to leave this issue in the tray marked 'too difficult'.




Friday, 4 December 2009

This Land is Our Land



At the Bluecoat in Liverpool today, we helped with the launch of 'Adapting the Landscape', a framework vision for a new, productive landscape fusing together the two city regions of Liverpool and Manchester. 

As well as producing some materials and a presentation for the event, Creative Concern was a key part of the project team, contributing to the new vision for a land that is home to 6 million people and an economy of £50 billion. The other members of the project team - led by URS Corporation - were WXY Studio in New York, West 8, Barnes Walker and the lovely people at Urban Practitioners. The project was funded - and steered - by the NWDA and the Regional Parks Xchange (where you can go to download the presentations from the event) as well as the Mersey Basin Campaign, Natural England, Homes and Communities Agency and Peel Holdings.

The ‘Adapting the Landscape’ research study is basically about using landscape, place and sustainability to help unlock even higher levels of prosperity, wellbeing and quality of life. It provides a framework for landscape adaptation and investment that can tackle climate change, support improvements in people’s quality of life and underpin economic growth. The framework we've come up with identifies the contribution that natural landscape resources can make to the future development of the Lower Mersey Basin, the area covered by this study. At the same time the approach provides a toolkit for identifying and prioritising investment that can be applied to any area.

The themes we explored through the project - initially as a set of future scenarios - included:

Mersey Bioregion
This is centred around a move towards a more self-sufficient, sustainable region with an emphasis on localism, renewable energy production, the growing of food and energy crops and a landscape well adapted to climate change.

Innovation Axis
Here, the key is to connect the city regions and major towns with stronger communications set in an area of attractive and marketable green infrastructure. There would be a focus on jobs and opportunities through the connection of knowledge centres and growth industries, including environmental technologies and services.

Mersey Playgrounds
This strand recognised the importance of high quality, accessible local environments where people can play, travel and work. Waterways will become destinations and leisure routes; flood alleviation measures will be used to create new landscapes and culture and art will be used to transform the visual experience of the region.


So what could be achieved? Some of the possibilities include:

Green the cities. Take the landscape of the Lower Mersey Basin into the heart of the cities with street trees and enhanced green infrastructure.

Embrace the waterfronts. Create and improve green access along the river and other waterways, stretching into the heart of the city regions and where possible, new water bodies.

Create a diverse landscape. Make the Mersey Bioregion the most dynamic, productive and biodiverse landscape through land art, farms and planting.

Manage a productive landscape. Produce energy from wind, tides, biomass and the sun.

Facilitate an accessible landscape. Establish a fine grain network of paths and bridges to accompany existing strategic arteries with an emphasis on localism.

Create a landscape for prosperity. Continue the Mersey’s history of innovation. In centres like Daresbury it is environmental technologies leading our way into a low carbon future.

Build a resilient and playful landscape. Utilise funding for flood defences to respond to flood risks and create iconic cultural landmarks, public space and new biodiverse habitats as part of ‘Mersey Playgrounds’.

Our next challenge is to build all of the above into the region's new Integrated Strategy (RS2010). Watch this space for more details.


Tuesday, 1 December 2009

Guerilla Lighting in Manchester

Photos of a guerilla lighting 'action' led by BDP in Manchester during December 2009. The photo is of an illuminated railway arch just near the old UMIST campus. More photos at Martin Lupton's dedicated Guerilla Lighting blog. There also more images at Walter Menzies' blog.

Tuesday, 1 September 2009

This is Manchester








We've recently completed work on a new promo film for the city of Manchester, commissioned by Marketing Manchester, MIDAS and Manchester City Council. 

The Director of Photography was James Henry, the film was edited by Monkey Tennis and the soundtrack was provided by Working for a Nuclear Free City [supplied by Woodwork music]. See what you think: http://vimeo.com/7266001

Friday, 22 May 2009

Benjamin on Klee




The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such a violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

This storm is what we call progress.

Walter Benjamin, 
Theses on the Philosophy of History

Thursday, 16 April 2009

People power







Today we launched a project I’ve been working on for two or three years now; a new climate fund for the Northwest that focuses on local, sustainable projects as a viable route to achieve carbon reductions whilst combating fuel poverty. It’s called ‘Foundation’.

Foundation, a climate fund for the Northwest is launching with a modest but significant scale and will deliver £1m per year for local, community based carbon projects. It will also give individuals and businesses the opportunity to donate to local community projects across the region that are helping to combat climate change whilst advancing social justice and tackling problems like fuel poverty. 

Money raised will be spent on carbon reduction projects ranging from insulation, solar panels and wind turbines, to biological carbon sinks like peat bogs. The fund will be managed by Groundwork Northwest, chaired by United Utilities and with an initial investment of £1.6m from the Northwest Regional Development Agency, has a target to raise an additional £3m in donations over the next three years. 

Foundation is as much about social equity as carbon reduction – projects must realise a reduction in carbon, but equally must deliver a wider range of benefits; including supporting families struggling to pay their heating bills, assisting local schools and community groups, investing in ‘green collar’ jobs and ultimately developing the region’s low carbon economy. 

How did we help? Well we led the development of the entire concept (basically to develop a socially-engaged, local offset fund) with the help of a range of partners including Pannone, BDO Stoy Hayward, Arup, Quantum, Vision 21 and a host of others. Once we were into the launch phase, with Groundwork leading, we developed the Foundation name and brand, plus its website, media relations, marketing materials and we managed its launch.

Monday, 22 December 2008

Brand Earth


This year sees the 175th anniversary of a milestone in corporate responsibility. In 1833 we finally made slavery illegal, or at least that was the headline. 

For 30 years or so there’d been a loophole in the law that allowed companies to continue to trade, facing a possible £100 per head fine if they got caught. Or they threw slaves into the sea at the first sign of an approaching Royal Navy vessel.


Whatever, we closed the loophole.

Corporate behaviour being what it is, too often, a further loophole remained. Any slave over the age of six wasn’t freed, they became ‘apprentices’, indentured as before. Years would pass before their shackles were loosened.

Then there was a compensation package of £20 million for slave owners, and exclusions, too: one for the East India Company and one for Ceylon.

It’s an extreme example but an informative one. No matter how heinous the corporation’s behaviour, there always appears to be some wiggle room.

Leap forward to 1970 and a burgeoning social responsibility movement got a hefty thwack around the head from the arch monetarist, Milton Friedman. His now famous essay, required reading for rapacious MBAs worldwide, appeared in the New York Times, stating that “there is one and only one social responsibility of business, to use its resources and engage in activities designed to increase its profits so long as it stays within the rules of the game”.

Ethical Corporation magazine - a good read - spoke on his death in 2006 of the service that Friedman did for the world of CSR. He made progressives in business sharpen up their act, add some rigour to their thinking.

They’re probably right and in some ways I may even be with Friedman on this one (at which point my oldest friends and colleagues will no doubt faint), my only major shift would be in what defines the ‘rules of the game’. Friedman’s stricture was legal compliance; mine would be about the corporation’s wider contract with society.

This fast and imperfect trolley dash through the history of corporations is designed to reveal that a) I’m good at looking things up on Wikipedia and b) that when you read the latest news report on ‘green brands’ or ‘ethical consumers’ or ‘fashionistas who wear hemp’ you realise that this is a dialogue that has been ongoing since King Magnus IV of Sweden created the oldest limited company - Stora Kopparberg mining corp - in 1347.

There is nothing new in corporations seeking profit but that pursuit has, from day one, been set against a context of wider social good. As a society we continue to fasten a judgemental eye on the corporation. A GfK NOP poll in May revealed that consumers rank the Northwest’s very own Co-operative Group as the most ethical corporation, retaining the top spot that it held in 2007. Next up come the Body Shop and M&S, with Innocent Drinks and Divine entering the top ten for the first time. Importantly though, the survey reveals some skepticism in the marketplace: just 18% of the 3000 consumers interviewed, compared to 21% in 2007, believed that business ethics have improved in Britain.

Those two new entries into the top ten, Innocent and Divine, are telling. They are brands - and products - that are constructed from the ground up as ‘eco-brands’. They follow a market appetite for sustainable products that has clearly entered the mainstream. They are not alone: ‘I am not a plastic bag’, anyone?

So can all of this be labelled ‘greenwash’? From the corporation that uses the gobbledegook of CSR ‘benchmarking’ or ‘continued improvement matrices’ to the conspicuous consumption that makes us feel better about using more of the Earth’s resources, is this another inflection of the free market capitalism which Friedman so adored and which a massive 82% of us still view with suspicion?

Perhaps. And can any brand or corporation be beyond intense scrutiny and examination in the age of mass communications where a 1,000 blogs can be updated in the blink of an eye? Ted Turner of AOL Time Warner once said that in the Internet Age it could take only seven minutes for your corporate brand to be damaged, globally, if you cocked things up.

If you want to take a more empowered look at what is, or isn’t greenwash then I’d urge you to download the greenwash guide recently published by our good friends at Futerra. As ever it’s pleasing combination of intelligent analysis with a tip-strip you can blue tack to your computer screen.

My closing comment would be this, however:

It’s not just corporations that have a contract with society: we have one too. People drive cars, eat meat, buy cheap shit and do too little to reflect their own value sets in their daily lives. We live in a dissonant fug for too much of the time and yet still reserve the right to judge corporations. If we shift our behavioural patterns then the marketplace changes too. The brightest and the best in the business world know this, they’re not stupid.

We are powerful, but we have to exert that power. We are complicit, and that should be in our frame of reference too. It’s a hippy mantra but Ghandi was right.

You must be the change you wish to see in the world.